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*reads one paper on artists as shamans

A Qin emperor obsessed with immortality has 7,000 terracotta soldiers to stand sentry over his tomb. I think of Jeff Bezos and an Amazon fulfillment center.

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Fred Moten from All That Beauty

Fred Moten from All That Beauty

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I woke up a night or two later with a shivering about burying my cynicism or something like.
I bought the photos from my Laotian friend in a lot from a dying collector.
Our conversations lead to jokes about sex. $200 and you can do whatever you want to me hunny.
She sends money to her granddaughter and hasn’t been back to visit in 13 years.
We show our kin on phones.
She gives away things for less than they’re worth and less than people offer.
The lot is big and sitting in a red plastic tub in my little cabin.
I steady myself to take on these lives in speculative absentia.
Gives it away to whoever’s nearest towards the and

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Lauren Berlant is the George M. Pullman Distinguished Service Professor at the Department of English, University of Chicago, where she has been teaching since 1984. Berlant received her Ph.D. from Cornell University. She writes and teaches on issues of intimacy and belonging in popular culture, in relation to the history and fantasy of citizenship.
To celebrate Tate Modern's Soul of a Nation exhibition Tate invited Kahlil Joseph and Arthur Jafa to discuss their careers and influences with curator Zoe Whitley, alongside a special presentation and discussion of the photography of Roy DeCarava by curator Mark Godfrey.
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Commercials, lms, internet en magazines overspoelen ons met beelden van seksuele, geërotiseerde lichamen. Het intieme is publiek geworden, lust een vereiste. Choreograaf Mette Ingvartsen kiest het theater als plek om na te denken over sek- sualiteit, pornogra e en macht en te onderzoeken hoe ze verweven zijn met onze huidige samenleving.
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Lazy Ocean Drift @ New Galerie Paris Opens Oct 24 IMAGINE A WORLD WHERE…. Labor, consumption, marketing, leisure and protest have all been hybridized, automated, outsourced and offshored into something both ubiquitous and unrecognizable. We still need a mass market to consume products and inspire entrepreneurs, but we don't expect much else. 90% of late 20th century jobs haven't existed for 50 years and humanity itself has become 'nonessential' for the continued maintenance and growth of the global economy.   Formerly safe, high skilled professionals like lawyers and radiologists were the first to lose their jobs to the botnets. Much of the field of journalism has merged into automatically generated motion graphic holotagcloud visualizations of trending humanitarian crises. Participating in the Developmenture Creategies Economy means sipping on a spirulina smoothie from the promenade deck Pinkberry while interpassively selecting the most pointed mashup portmanteau on a splash resistant tablet, sending it to the cloud to be 3d printed from reclaimed Great Pacific Garbage Patch plastic and calling it an early day. This style of Prosumarkritique is about as productive and rebellious as the postcreative classes can afford to be. The polar ice caps melted and sea levels rose dramatically as predicted. Of course, this was seen as more of an opportunity than a tragedy; a new frontier that was literally expanding! The technology to profitably colonize the oceans had been extensively developed, but after the sudden and unexpected collapse of vertebrate sea life, only a handful of Californian billionaire playboys, neozionist cults, militant genderqueer anarchocapitalists and a cosmopolitan assortment of poisonous jellyfish still seem to want to live there.  None the less, these seasteaders did manage to force the governance services market open to private competition with a proliferation of subscription based quasi-sovereign multinational corporate offshore platforms, a few autonomous-zone Seapunk islets and other newly engineered legal-spatial anomalies. The basic legal distinctions between person, corporation, anchored ship and sovereign nation-state were finally erased. Some of the first comers to the new oceanic frontier made fortunes hosting darkweb data havens and corporate team-building retreats, producing gonzo pornography and exporting plankton based fuel and eye creams. But ultimately, this long heralded Cambrian Explosion in Governance did little to help the degrading standards of living for the landlocked majority who couldn't afford the best class SeatizenXperience subscripts nor AlgoLawyerswarms overwhelmingly litigious enough to ensure the acquisition of a family-size exit visa from the raffle. Either way, these days you'd have to be crazy to live out on one of those things — considering all the jellyfish.

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Alchemy Film & Moving Image Festival Symposium 2017 Alchemical Visions Since giving this talk, Patricia has finished her series of films, which can be seen here: http://www.patriciapisters.com/av-presentations/video-experiments http://www.patriciapisters.com/av-presentations/video-experiments
Making Time: Art Across Gallery, Screen and Stage Keynote Performance/Lecture April 20, 2012 Participants: Ralph Lemon, choreographer Introduced by Julia Bryan-Wilson, History of Art, UC Berkeley Response by Joe Goode, Theater, Dance & Performance Studies, UC Berkeley
New York Times dance critic Claudia LaRocca proclaimed in this past Sundays Fall Arts Preview, "If I had to see only one show you simply must see this fall, it would be Ralph Lemon's." The Star Tribune and Mpls-St. Paul Magazine also picked Lemon's new work as a major fall highlight, with Mpls-St.
shocked continuation of meaningless comic non sequiturs, bon bon, fogged morn, auction houses all day, dance parties every night, condescending geniuses, glass in our pancakes, Ho Tzu Nyen, T is for Tiger, Aubrey and Agnes playing piano, different color fonts, moodymann, coliseums, first fridays, homeless people, laluzifer, roberto carlos , day of the dead - autocorrect sea, charlie fires, making it rain, starling starline ballrooms, ruins, my next project is going to angola 4 dance lessons, weather forecast, ping pong balls, yosi Horikawa, HD television, the good earth
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tyler in paris 2012

tyler, the creator in paris 2012

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the way pictures reveal
in different ways throughout
our relationships to one another

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